Author: Iain Harper

Three Good Questions

The East Kent Fire Brigades (1879) Part Two

Three Good Questions (and some answers) Last month I invited you to imagine that while doing some historical research you’d found an article about the East Kent Fire Brigades published in the Illustrated London News

Three Good Questions (and some answers)

Last month I invited you to imagine that while doing some historical research you’d found an article about the East Kent Fire Brigades published in the Illustrated London News on 27th September 1879. What could you learn from it? How many research rabbit holes would it lead you down? In what new directions might it take your writing? And, if you interrogated the image and words closely, what Three Good Questions would you want answers to first?

The East Kent Fire Brigades (Illustrated London News 27th September 1879)

You can refer back to the full transcript of the article here.

My own Three Good Questions to get things started were:

  1. Does the top-right inset show a semaphore signal tower? (If so, what was its purpose? Was it just built for the demonstration or as a permanent feature in Westgate-on-Sea and other towns?)
  2. To what extent did Edmund Davis’s resort become a commercial success?
  3. Were Edmund Davis and Captain Henry Davis related?

According to the Margate Civic Society, “Deal’s four-storey semaphore tower was built in 1821 as part of a chain of 12 communication towers, which enabled the navy to send messages to the Admiralty in Greenwich.” So the semaphore tower pictured in the illustration is almost certainly a link in the chain of twelve.

I haven’t explored the commercial success or otherwise of Edmund Davis’s resort, but the place mentioned appears to be Ranelagh Pleasure Gardens. In Mick Glover’s St Peters and the Forgotten Ranelagh Pleasure Gardens (2014), they’re described (48 years earlier) as follows:

The gardens cover an area of about two acres and a half, interspersed with splendid marquees, and a pleasing and beautiful series of cosmoramas; as many as two thousand persons have assembled here in one day. The ordinary price of admission is one shilling, for which refreshments to that amount are supplied. The amusements commence about four o’clock, and last till dusk, during which time and excellent band for quadrilles and country dances is in attendance. In the rear of the principal garden is a bowling green, kept in the best condition.

I’ve admitted defeat when trying to find a familial connection between Edmund Davis and Captain Henry Davis. I can say for certain that they weren’t brothers. They may have been cousins, but it’s equally possible their shared surname is simply a coincidence.

Edmund Francis Davis was born in Chiswick in April 1845, the fifth of eleven children. His father, James Phineas Davis, was an attorney and solicitor. His mother, Eliza (also née Davis), was born in Montego Bay, Jamaica. Aside from his resort enterprise, Edmund was a solicitor like his father. He married Florence Aria, from Kingston, Jamaica, in 1867. They had three children and employed nine servants at their St. Peter’s Cottage home.

Florence died while the family was in Los Angeles, California, in October 1887, where Edmund seems to have set himself up as a real estate agent.

Edmund remarried in Boston, Massachusetts, only eight months later. His second wife, Matilda Hodges, originally came from Hamburg in Germany and was thirteen years his junior. Edmund died in Chicago, Illinois, the following year at the age of only 44. His children ended up back in England.

A potentially interesting avenue of further research would be to look at how the Davis and Aria families earned their livings in Jamaica in the latter 18th and early 19th centuries.

After reading the full article from 1879, a number of you suggested variations of the same Three Good Questions:

  1. Are the two uniformed gentlemen pictured just behind the leading fireman Captains Henry Davis and Sidney Wilmot?
  2. Were fire brigade uniforms standardised across the country at that time?
  3. What were their uniforms made of? (Did they provide much in the way of protection?)

The “Mr. Sidney Wilmot, captain of the Tunbridge Wells Fire Brigade” was Benjamin Sidney-Wilmot, aged 37. There’s a photograph of him taken around 1900 here, along with masses of genealogical information. He was born Benjamin Goldsmith in Cambridge in 1842 and changed his surname to Sidney-Wilmot shortly after his marriage to Beatrice Gilbert in 1866. The family moved to Kent around 1883. As well as founding the Tunbridge Wells Fire Brigade, Benjamin was a burgess of the town and acted as a political agent for the Conservative party.

Although it’s almost impossible to be sure, based on comparison with the 1900-era photograph, the right-hand figure in the illustration might well have been Captain Sidney-Wilmot. If so, then the figure on the left is probably Captain Henry Davis.

Possibly Captain Henry Davis (left) and Captain Benjamin Sidney-Wilmot (right) of the East Kent Fire Brigades

As for the questions about uniforms, according to Greater Manchester’s Fire Service Museum, “In 1866 the Metropolitan Fire Brigade in London was set up and this brigade had a huge influence on uniform design generally. They wore a blue double-breasted tunic, blue trousers made of waterproof cloth with black leather boots and a leather belt. They also wore a brass helmet. Many brigades adopted a variation of this uniform with a brass or leather helmet carrying the brigade’s emblem.

 

If you know or discover any more about any of the people and places mentioned in this post, or if you’d like to suggest further questions, please do tell me via the comments below.

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Three Good Questions

Electricity Is Life (1854)

Source: Hart’s New Annual Army List (1854) Three Good Questions This is the next in an ongoing series of posts about historical research, featuring news articles, adverts, and other sources mostly from Britain in the

Electricity is Life (Hart's New Annual Army List 1854)

Source: Hart’s New Annual Army List (1854)

Three Good Questions

This is the next in an ongoing series of posts about historical research, featuring news articles, adverts, and other sources mostly from Britain in the 19th century.

Just for fun, imagine you stumbled across the advert above during your research. What could you learn from it? How many research rabbit holes would it lead you down? In what new directions might it take your writing?

If you interrogate the image closely, what Three Good Questions would you want answers to first? You can send me your suggestions via the form at the bottom of the page.

I’ll collate the questions, and begin to answer some of them, in a follow-up post. Subscribers to the ThreesWrite Newsletter will receive that before it’s published on the website.

Here are my first Three Good Questions:

  1. Who was Mr. Meinig? (and was he in any way medically qualified?)
  2. What did a two-ounce Galvanic Electro-Generator look like?
  3. Was this blatant quackery or did it actually have some therapeutic benefits?

 


What Three Good Questions would you ask?

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    Writing and Publishing

    Mozart: A Writer’s Best Friend

    I’ve always been someone who’s needed peace and quiet to be able to write. The closer to complete silence the better, but failing that at least the absence of disruption. The rarity of such ideal

    I’ve always been someone who’s needed peace and quiet to be able to write. The closer to complete silence the better, but failing that at least the absence of disruption. The rarity of such ideal conditions is a significant factor in why, for a long time, my progress with Avarice of Empire was much slower than I might have liked.

    Then I discovered something that has revolutionised my creative work.

    It’s only relatively recently that I’ve developed a love of classical music, and I wish it had been very much sooner. While struggling with a particular chapter, it occurred to me that listening to music contemporary with the scenes in question might help somehow. That experiment failed to yield the inspiration I hoped for, but it did demonstrate something useful: listening to music ‘in the room’ — even soothing classical music — was just as much of a distraction as conversation, traffic noise, or a slamming door.

    However, what does work wonders for me, as I later found out somewhat by accident, is having the music ‘in my head’ (via noise-cancelling, over-ear headphones) rather than being an external noise in the room. Non-active listening is the key, and it has to be instrumental music only. Throw in some lyrics and my brain automatically tries to comprehend them.

    I can’t overstate the transformative impact. Whereas before I felt I needed to wait for extended windows of tranquility before even contemplating trying to write, now I just don my headphones and within seconds I’m immersed back in the story.

    That approach might also be helpful to you if you struggle with distraction and creative immersion. However, for some people the complete opposite can be more appropriate. A friend of mine who has ADHD, for instance, tells me that rather than avoiding lyrics she needs their overt presence in order to keep the ‘noisy’ part of her brain occupied.

    It seems there’s been all sorts of research undertaken into the potential benefits of listening to classical music, including the so-called Mozart Effect (1)

    “…listening to music activates a wide distribution of brain areas.” J.S. Jenkins

    “…listening to Mozart’s K448… an increase of… brain wave activity linked to memory, cognition and open mind to problem solving…” Walter Verrusio, et al.

    Although the musical properties of compositions by Mozart and Bach have been found to have particularly notable effects on the brain, listening to classical music in general enhances, “…the activity of genes involved in dopamine secretion and transport, synaptic neurotransmission, learning and memory…2

    There’s evidently a great deal of variation in the usefulness or otherwise of listening to music from one individual to another. My partner, for example, finds classical music distracting, because as a musician she has an emotional and experiential relationship with it. Other research 4 suggests that factors such as personality type and proneness to boredom play a part, and that music ‘in the room’ can impair complex task performance.

    Because having classical music ‘in my head’ has had such a profound impact on my creativity and writing output, a while ago I began curating a Music for Writing playlist on Spotify. I’ve embedded it below and there are links to it at the top and bottom of every page of this website. I recommend playing it on shuffle. Learning from the research, it includes renditions of Mozart’s sonata for two pianos K.448 and his piano concerto number 23 in A major K.488.

     
    Do you listen to music when you’re writing (or being creative in another way)? Please do share in the comments below what you’ve found works best for you.


    References:

    1. Jenkins JS. The Mozart effect. J R Soc Med. 2001 Apr;94(4):170-2. doi: 10.1177/014107680109400404. PMID: 11317617; PMCID: PMC1281386.

    2. Helsingin yliopisto (University of Helsinki). “Listening to classical music modulates genes that are responsible for brain functions.” ScienceDaily. www.sciencedaily.com/releases/2015/03/150313083410.htm

    3. Walter Verrusio, et al. “The Mozart Effect: A quantitative EEG study.” Consciousness and Cognition, Volume 35, 2015, Pages 150-155, ISSN 1053-8100, https://doi.org/10.1016/j.concog.2015.05.005.
    www.sciencedirect.com/science/article/pii/S1053810015001130

    4. Manuel Gonzalez and John Aiello (2019). More Than Meets the Ear: Investigating How Music Affects Cognitive Task Performance. Journal of Experimental Psychology: Applied. 25. 10.1037/xap0000202.

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    Three Good Questions

    The East Kent Fire Brigades (1879)

    Three Good Questions This is the first in an ongoing series of posts about historical research, which will feature news articles, adverts, and other sources mostly from Britain in the 19th century. Just for fun,

    Three Good Questions

    This is the first in an ongoing series of posts about historical research, which will feature news articles, adverts, and other sources mostly from Britain in the 19th century.

    Just for fun, imagine you stumbled across the article reproduced below during your research. What could you learn from it? How many research rabbit holes would it lead you down? In what new directions might it take your writing?

    If you interrogate the image and words closely, what Three Good Questions would you want answers to first? You can send me your suggestions via the form at the bottom of the page.

    I’ll collate the questions, and begin to answer some of them, in a follow-up post. Subscribers to the ThreesWrite Newsletter will receive that before it’s published on the website.

    Here are my first Three Good Questions:

    1. Does the top-right inset show a semaphore signal tower? (If so, what was its purpose? Was it just built for the demonstration or as a permanent feature in Westgate-on-Sea and other towns?)
    2. To what extent did Edmund Davis’s resort become a commercial success?
    3. Were Edmund Davis and Captain Henry Davis related?

     


    Illustrated London News (27th September 1879)

    The East Kent Fire Brigades (Illustrated London News 27th September 1879)

    THE EAST KENT FIRE BRIGADES

    A competitive exhibition of skill among the fire brigades of different towns in the Isle of Thanet and East Kent was held on the 15th inst., at Broadstairs, for the second time, in the pleasure-grounds of Mr. Edmund F. Davis, at St. Peter’s Cottage. That gentleman, who is owner of the manor and estate of Westgate-on-Sea, adjacent to Margate, and of the Granville estate at St. Lawrence-on-Sea, Ramsgate, had invited a large company of visitors and spectators upon this occasion. The recent great improvements and embellishments of the place, which is likely to become a fashionable resort and residence for people who like the sea air, were also inspected and admired. The fire-engines which attended were eight in number, all fully manned; two from Margate, which did not compete, and one from Ramsgate, one from Broadstairs, and one respectively from Deal, Sandwich, Ashford, and Westgate-on-Sea; the Ashford one, a steamer by Merryweather. They marched in procession, under command of Mr. Henry E. Davis, captain of the Westgate, Broadstairs, and St. Peter’s fire brigades, through Margate and on to Broadstairs, accompanied by the Margate band of music. The Mayor and Town Councillors of Margate present. Having arrived, the trials of skill and quickness were begun. They were “dry drills,” no water being used with the engines. The programme included four drills, the first with six men, the second with four, the the third with two, and the last single-handed. The engines in each drill were put in complete working order — that is to say, the required number of lengths of hose were got ready, the dam set up, fore-carriage locked, pole and sway-bars unshipped, branch screwed on, and levers turned over. Great accuracy was shown by all the men in their work, scarcely a hitch occurring in the whole course of the proceedings. Besides Captain Davis, his fellow honorary secretary of the Kent Fire Brigade Association, Mr. Sidney Wilmot, captain of the Tunbridge Wells Fire Brigade, and Mr. John Knaggs, from Westgate-on-Sea, overlooked the competition, and assisted in organising the performances. The four drills were got through by the Deal brigade in six minutes and five seconds; the Broadstairs team occupied five seconds longer. At the close of the competition, about sunset, the three prizes (which were provided by Mr. Edmund Davis) were presented in the following order of merit:— 1, Deal; 2, Broadstairs; 3, Sandwich. During the day, which appeared to have been kept as a holiday, the band of the 2nd Kent Artillery Volunteers from Faversham, and the band from Margate, added considerably to the enjoyment of the visitors. In the evening Mr. and Mrs. Davis entertained a party of friends to dinner.

    Source: Illustrated London News (27th September 1879)

     


     

    What Three Good Questions would you ask?

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      Past Articles

      The Aspirants

      Mindful that unrealistic expectations have a habit of being like premeditated resentments, we’ve been trying our best not to have any. Nevertheless, we both know that today, our fifth riding through France, should gift us

      Mindful that unrealistic expectations have a habit of being like premeditated resentments, we’ve been trying our best not to have any. Nevertheless, we both know that today, our fifth riding through France, should gift us lasting memories of ambitions fulfilled. The speed with which we’ve covered the final 120 miles south, from Issoire along the curvaceous A75, reflects our growing sense of anticipation.

      As with many a good idea, this one was born from a conversation over a pint outside a country pub. My friend, Andy Winters, is the drummer in a band called the Sundogs and we were passing the time while his musical accomplices finished tuning up before their gig got underway. “I’d love to ride the Millau Viaduct one day,” he said out of the blue. “Well why don’t you then?” I replied.

      That was in February. Now it’s early May and we’ve settled into the rhythm of travelling together on what will be a 2,000-mile loop from Cherbourg to the Mediterranean and back. Andy’s on his highly customised Yamaha Fazer 1000, which has at least four times the grunt of the impeccable Benelli TRK 502 I’m long-term testing for Overland. We mostly stick to the speed limits with me riding in front, but sometimes Andy takes the lead and does an admirable job of restraining his throttle hand so I can keep up. This morning is one of those times. The world’s tallest bridge, at 343m it stands taller than the Eiffel Tower, looms larger in Andy’s imagination than it does in mine, so as much as I’m looking forward to it, he rightly has the honour of being first on the road.

      The whole Occitanie region is basking in perfect early summer weather that’s impossible to describe without resorting to tired clichés. We’re treated to our first tantalising glimpse of the bridge’s seven pylons a couple of miles to the north, where a sweeping right-hand curve takes us past Soulobres. Just short of the viaduct, which spans the gorge valley of the Tarn river for a mile and a half, we pull into the visitor centre to take photos from a distance. Andy is unusually quiet as he soaks up the vista he’s wanted to see for so long. There’s no hurry to press on and we linger a while. Neither of us expresses them aloud, but I suspect we share bittersweet feelings about the ride ahead. After all, there can only be one first time for everything.

      Or first three times it turns out, as we take turns leading the way north to south, and south to north, before Andy stretches the Fazer’s legs on the final traverse southward. The safety railings obscure sight of the valley below, but its the view up, rather than to the side, that’s mesmerising: The road deck is suspended from the enormous masts by pairs of eleven, equally mighty cable-stays. Riding past them at speed is like racing a cresting wave.

      Beyond the bucket-list bridge, and about halfway towards our final destination for the day, the A75 achieves peak grandeur as it snakes steeply down between limestone cliffs in the vicinity of Pégairolles-de-l’Escalette.

      By mid-afternoon, were off the motorway and slowing to 30km per hour as we pass the sign that marks the outer limit of the village of Aspiran. Roughly 45km west of Montpellier, and surrounded by ancient vineyards on all sides, there’s been a community here since at least the 11th century. l’s now home to Ted Simon, author of Jupiter’s Travels, the book which inspired thousands of motorcycle journeys.

      I’ve wanted to come here ever since Ted first moved back to France from Northern California two years ago, so in an aspirational sense this is my equivalent today to Andy’s ride over the viaduct. Were a little early and kill some time with a cold drink in the shade on Place du Jeu de Ballon. Then as if by magic, like the shopkeeper of animated legend, a short, grey-haired man with a barrel chest and a Surrey accent appears from nowhere. Evidently a long-time resident, close friend of the mayor, and Aspiran’s self-appointed guardian, he feigns hospitality at first. But now we realise he’s ever so diplomatically suggesting that noisy bikers’ are less than welcome guests. I mention we’re staying a night or two with a friend. Crestfallen, he huffs and stomps off like a thwarted Napoléon.

      Grand Rue, Aspiran

      At the appointed hour we retrace our way through the warren of narrow, medieval streets to Ted’s place on Grand Rue. The arched gateway to his cavernous garage is already open in readiness and we park inside beside his BMW and the Piaggio MP3 he rode around Britain.

      As ever, he’s all smiles and greets me with the manliest of octogenarian hugs. I introduce Andy, and Ted puts him immediately at ease. Our host turned 87 ten days ago, and I’m acting as courier for Halvarssons who’ve sent a new leather jacket all the way from Sweden as a belated present. Thankfully it fits. Ted says it feels heavy, but still seems very pleased.

      We take our gear inside, through the ground floor office, and mind our heads on the way upstairs to the kitchen and a choice of bedrooms above. Andy takes the one next to Ted’s, while I’m privileged to have the room with a familiar brass plaque on its door. “A retreat for Jupiter’s Travellers – donated by the Friends of Aspiran,” it reads. It’s a simple, peaceful room, set in the steep pitch of the roof, and is dominated by a substantial oak beam that runs its length. Natural illumination and ventilation come courtesy of several small windows at floor level and a generous skylight. There’s a chair and a desk. The bed is luxurious. Ted’s intention has always been that the space would be somewhere writers and filmmakers could escape to for a while, away from the distractions of day-to-day life, to give their creative productivity chance to flourish. Few have taken the opportunity as yet, but the door is always open – and not just to Jupiter’s Travellers.

      Ted has made fresh coffee and Andy and I join him in the kitchen after we’ve changed and freshened up. Sitting around the dining table, enjoying the cooling breeze coming through the balcony window that overlooks the street, we catch up on how Ted celebrated his birthday, his itinerary for the USA trip he’s leaving on in a few days, and how our journey has been going. He’s interested in how we were impacted by the experience of visiting the ruins of Oradour-sur-Glane, where 642 inhabitants were massacred by the Waffen S.S. on 10th June, 1944. Our description falls short.

      Oradour-sur-Glane

      Just around the corner, on Place du Peyrou opposite the Church of Saint-Julien, there’s a tiny boulangerie. Ted takes us for a stroll to buy croissants and a loaf for the morning, and points out the Café de la Poste where he’s taking us for dinner this evening. “Do you like Romanian Gypsy Jazz?” he asks, as idly as if enquiring whether we take milk in our coffee. We say we’re looking forward to finding out.

      We’re among the first patrons to arrive when we return to Ted’s regular haunt later on. Tucked away in the corner of the street, and accessed by a flight of well-worn stone stairs, the restaurant bar has been here since 1903. It’s not a big place, and feels intimate and welcoming. Très chic without having to try, it entertains the folk of Aspiran with live world-music most weekends.

      Cafe de la Poste, Aspiran

      Andy and I have downed a couple of glasses of beer by the time Graham turns up. Ted’s Australian friend is a fellow biker and has lived in one of the neighbouring villages for years. He looks to be in his early sixties, but might be older. A softly spoken and friendly man of sharp intellect, he’s well travelled and obviously shares Ted’s intense curiosity about the world. He’s cycled here this evening, which he says is easier than walking the seven miles with his bad knees.

      The proprietor takes our order and is kind enough to translate some of the menu. Andy goes for an improvised vegetarian platter. Graham and I both plump for the duck. Ted has fish and chips and is shameless about his choice. All cooked to order and made from fresh local produce, our meals are delicious and as satisfying as the eclectic conversation.

      It’s standing room only now in the bar and time for the evening’s entertainment. A dark haired young woman with an infectious smile steps up to the microphone and begins her first song without introduction. We’ve no clue about the lyrics, but that doesn’t matter. After a gentle rhythmic opening, the whole room is soon transfixed by the sensual, powerful performance that builds in tempo to a climax that’s matched in its energy by our applause. The singer, we now discover, is Costina Guery and she’s accompanied by the taciturn, but incredibly talented, Symon Savignoni on acoustic guitar.

      The songs keeping coming. The beer keeps flowing. Ted and Graham are making stoic progress through another carafe of modest red. By the second set, and with some encouragement from Costina, a few of the locals are up and dancing. Among them is a woman in a flowing, ankle-length black dress and a wide-brimmed hat. She succeeds in never showing her face as she whirls in bare feet, except to the gangly man with a feather in his ponytail who we assume is her lover.

      Graham says au revoir before the end and slips away to pedal home. We’re not too far behind him and are soon wandering back to chez Simon. Ted retires to his bed, leaving Andy and me to reflect on the day as we indulge in a nightcap around the kitchen table. We happily conclude that any expectations we may have had about today have been far surpassed by its reality. And that is a very rare thing.

      Tomorrow we’ll ride down to the coast, which will be another first for both of us, before returning to Aspiran for a second night. Ted has promised to cook. Flambéed banana is apparently on the menu.

       

      (This article was first published in Issue 24 of Overland Magazine, 2018.)

       

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      Past Articles

      Spellbound at the Witches’ Kitchen

      Günter raised one eyebrow in quizzical astonishment and I could’ve sworn there was the hint of a Teutonic smile. “The Bonneville?” he asked, making it sound more like an accusation than a question. I wondered

      Günter raised one eyebrow in quizzical astonishment and I could’ve sworn there was the hint of a Teutonic smile.

      “The Bonneville?” he asked, making it sound more like an accusation than a question. I wondered if he thought he was missing some peculiar subtlety of British humour. Maybe he figured the joke would be on me.

      “The Bonneville,” I repeated with a façade of certainty. Günter said nothing more. His jacket lay across the saddle of a new R1200 GS Adventure and he marched off towards it. Outside, the temperature had already risen beyond ‘slow roast’ for everyone in bike gear and would stay in the high 30s centigrade all day.

      I’d met Günter and his enigmatic wife, Elke, the evening before at my hotel. He was a commanding, fair-haired figure with a powerful 6’6 frame like a rugby lock forward. She was petite, with a delicate grace and bone-dry wit. Their ages were hard to judge – late 40s I guessed – and they both appeared rather stern at first, but their seriousness concealed a gentle shyness and intense curiosity. Quick to laugh, friendly and generous, I liked them immediately.

      They’d driven seven hours from Northern Germany to be there for Austria’s first ‘Top of the Mountain Biker Summit’ taking place that weekend. Over dinner, we heard about a ride being organised to explore some of the most iconic Tyrolean mountain passes in a 270 km loop. Through the combined efforts of my rusty German, Günter’s limited English and Elke’s concise sign language, we agreed to tag along. Which is how we all came to be at the High-Bike Testcenter in Ischgl on a sun-drenched Friday morning in August.

      Having had the pick of around 50 motorcycles from BMW, KTM, Triumph and Ducati, I’ll admit I hadn’t made the most obvious choice, but for years I’d been harbouring a little ambition to ride a Bonneville and this seemed like too good an opportunity to miss. It was only the base model, and it started with more of a reluctant wheeze than a potent roar, but it was mine to play with for the day.

      Ischgl straddles the banks of the glacier-fed Trisanna River and is one of four major ski resorts in the Paznaun Valley. Like all its neighbours, it’s an affluent, pretty little place – all overhanging gables, shuttered windows, shingles and hand-painted murals. Bartenders still wear lederhosen, waitresses still take pride in their dirndls and most of the shops still close on Sundays. During the summer months the Central Eastern Alps that surround the Valley are popular with walkers, climbers and cyclists, but Ischgl has to work hard to keep the tourists coming. Its striking logo, which wouldn’t look out of place on tour with Iron Maiden, was designed to differentiate Ischgl from the similar-sounding Bad Ischl 340 km further East. The village also goes to great lengths to promote its claim to being Austria’s top destination for haute cuisine after Vienna and Salzburg.

      Ischgl’s masterstroke though is the “Silvretta Card” – issued free on request to everyone that stays overnight in the area. It represents a cooperative of local businesses and gives visitors free use of all the cable cars, chair lifts and public transport, free admission to swimming pools, waterparks and museums, and, most importantly, toll-free use of the Silvretta-Hochalpenstraße and discounted motorcycle hire at the High-Bike Testcenter. Not that this kind of inclusive ‘Golden Ticket’ is unique to Ischgl or even to Austria of course. There are five others available across the Vorarlberg region alone, Carinthia has its “Kärnten Card” and most tourist-savvy cities have their own variation. They’re certainly worth having and can save you a small fortune if you’re staying in one area for a period of time, but bear in mind they don’t all come as a free perk with accommodation.

      “Do you know the way?” I asked Günter, raising my voice over the impatient idle of the engines. We were due to rendezvous with our fellow riders at the event’s “Biker Village”. Günter’s expression suggested he didn’t have a clue either, but he gesticulated for me to follow his lead. Elke climbed into the pillion seat behind him and we set off – only to be dismounting again a hundred metres later. Finding the Hexenküche (Witches’ Kitchen) bar and café turned out to be less of a navigational challenge than expected. We slated our hard-earned thirsts with iced water and disappointing cappuccinos and waited for others to arrive.

      The Witches' Kitchen, Ischgl, Austria

      A blue and silver R1150GS with an Austrian plate was the first to swell our ranks. It had the patina of a motorcycle likely to be owned by a traveller of some experience and Markus proved to be exactly that. He was as articulate in English as his native tongue, brimming with enthusiasm and entirely without pretentions. The combination of his calm, considerate nature and admirable riding skills would earn him unanimous respect before the day was out.

      Juergen was the next to roll in on his gleaming white R2100T – a motorcycle well suited to long days on the Autobahn for a raconteur of his proportions. He was a jolly fellow with an easy laugh and a journalist’s talent for observation. Everyone warmed to him right away. Then there was Uwe, sporting a fine handlebar moustache aboard his bright yellow R1200S with colour-coordinated leathers, closely followed by Rene on a handsome MV F4R. Tall, bald and robustly built, he wore a permanent frown that implied a safe distance should be maintained at all times. The happy-go-lucky middle-aged couple that turned up on a Virago 1100 couldn’t have been more of a contrast. They had matching jackets with matching tassels and matching open-face helmets. I never did catch their names.

      Our shepherds for the day, Luggi and Frank, were the last to make an appearance. Luggi was a wiry, chain-smoking character of advancing years from the neighbouring Paznaun village of Galtür. The owner of a biker-friendly hotel that bears his name, he leads alpine motorcycle tours and takes great pride in his encyclopaedic knowledge of the area. His passion for the mountains and the joy of riding the ribbons of discovery that interlace them was infectious. Frank, meanwhile, had been drafted in at short notice to act as sweeper. In his early 30s, and showing little interest in the rest of us, he rode a Thunderbird Storm and had brought his glamorous girlfriend along for pillion company.

      As we suited-up and prepared to depart, Luggi was exuberant in briefing our cast of characters about his plan for the day. Whatever he said, it went down well. So did the theatrical nods in the direction of the plucky Bonneville, dwarfed between its Bavarian cousins, and the whispered mentions of “der Engländer.” I didn’t catch every word by any means, but the gist seemed to be that Günter wasn’t the only one with doubts about my choice of motorcycle and its ability (or perhaps mine) to keep up. Time would tell.

      With Luggi setting an unforgiving pace at the front on his Goldwing, Frank bringing up the rear, and everyone else restless to find their place in the pecking order of our eclectic convoy, two things quickly became clear during the first kilometres on the road: Austrians take a dim view of elegant margins of error in overtaking manoeuvres; and I’d forgotten how much I dislike riding in a group. Nonetheless, it was glorious to be moving at speed through such a dramatic landscape and refreshed by the cooling air rushing through open vents.

      We left the Silvretta Straße at Wiesberg, turning right on to a narrow mountain road that provided an early taste of the steep switchbacks we’d enjoy throughout the day. It also gave me the first real chance to test the handling of the Bonneville and the grip of its Metzeler boots, both of which were more than up to the task. Past Tobadill, we stopped to admire the south-facing grandeur of Dawinkopf and Simeleskopf, before descending again to Imst. There our route headed north-west towards the Lech River Valley at Elmen via the 29 km Hahntennjoch pass. Open and winding, the exhilarating Hahntennjoch lent itself to fast, flowing progress despite boasting grades of almost 19 percent in places. Its summit, at 1,894 metres, offers a welcome break for refreshment and photos.

      Onward to Warth, where the Tyrol gives way to the Vorarlberg and the German border is only a stone’s throw away. The alpine vistas continued their relentless assault on our senses – tempting us to divert our eyes from the road as we negotiated countless sweeping curves, cloistered tunnels, tight hairpins, unexpected gravel and occasional detours on forest single-track. The many villages we passed through were immaculate and charming without exception. Summer flowers hung in baskets from every balcony, fairy tale steepled and onion-domed church towers punctuated every skyline, and there was artistry in the log piles beside every cabin.

      Somewhere along that road our merry band found its rhythm and without conscious effort began riding in easy harmony. Easy, that is, apart from the unpredictable and often dangerous cornering of the Virago that had settled into position ahead of me for the last 50 km. By the time we’d passed through Au and were heading south again, my patience had worn thin. Finally ditching any pretence of courtesy, I left the tassel-clad couple behind on yet another steep and twisty ascent through a narrow forest section.

      That turned out to be a perfectly timed separation, because up ahead Luggi was having a bright idea. Rather than following the main road from Au to Bludenz, he decided to add another 25 km to the ride and lead us over the Furkajoch Pass. Judging by the broad smiles and excited chatter when we made a pit stop at the summit, everyone was delighted he had. For both scenery and sheer riding pleasure, the Furkajoch easily surpassed our experience of the Hahntennjoch and I had great fun tearing round its curvaceous rollercoaster of a climb with nobody directly in front to slow me down. Although reticent at low revs, the Bonneville finds its joie de vivre in the mid-range and likes to be ridden assertively. I was all too happy to oblige.

      At the top of the Pass, the “Zum Charly” café sits at an elevation of 1,760 metres and does brisk business plying passing bikers with burgers and water “mit gas.” We took full advantage of its hospitality and its vantage point over the winding road we’d just enjoyed. And then taciturn Frank surprised me. Wandering over to where I stood beside the bike, he was eager to explain (in good English nobody realised he had) how much the Triumph had impressed him with its turn of speed and nimble handling. The Brit had exceeded expectations after all and I couldn’t help but feel proud on its silent behalf.

      Re-grouping into a more restrained procession on the far side of the Furkajoch, everyone’s fidgeting betrayed our growing fatigue. But the Silvretta-Hochalpenstraße was now only 70 km away and we relaxed on the comparatively straight roads through Bludenz, allowing imagination to fuel our anticipation of the day’s grand finale: a picturesque ascent through no less than 34 snaking bends to a height of over 2,000 metres.

      A set of lights brought us to a brief halt in Gaschurn, just a couple of kilometres from our goal. Markus and Uwe were side by side at the head of the queue and I squeezed in between them. Both were whooping and laughing like giddy kids at the first glimpse they’d caught of the high alpine road in the near distance – a pale zigzag cutting its relentless path across the pine-covered slopes.

      Reaching the tollbooth at the foot of the pass, gloved hands fumbled in haste for the Silvretta Cards we all carried and the woman behind the glass waved us through with an understanding smile. Some of us pulled over a little way ahead to stretch our legs, but then I spotted Juergen whizz past – closely followed by Günter and Elke. Figuring they planned to lay in wait near the top to photograph the group, I signalled to Luggi that I was following suit.

      It took only a few minutes to reach them at the 23rd bend, but those were among the most vivid and adrenalin-charged minutes of the ride. I had the road entirely to myself and wrung every last drop of fun I could from it. Without a doubt, it’s the kind of road that deserves to be ridden repeatedly in both directions – then ridden some more.

      Not that the fun stops there. The other 11 bends aren’t exactly dull and neither are the spectacular views that change with every twist and turn. Then at the top of the pass, one last surprise: the turquoise Silvretta-Stausee reservoir leading your gaze toward the Piz Buin glacier on the Swiss border. Time is your enemy in places like this. There’s never enough of it.

      In Paznaun once more, and descending again, the Silvretta Straße threads its way through Wirl, Galtür and Mathon before finally returning to Ischgl, where seven hours earlier a collection of strangers had first met at the Witches’ Kitchen. Mixed together in the cauldron of the Alps, those strangers had now become friends, with shared memories and shared respect. Such is the magic of the road.

       

      (This article was first published in Issue 14 of Overland Magazine, 2016.)

       

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